From theorizing discourse to the question of mechanisms - on how criticism works in contemporary Algerian discourse

Abstract

Since creativity is the eternal language of existence, on which the language of literary criticism operates in an attempt to understand its depths and reveal its secrets, I found there follow-up to this critical movement, whose preoccupation was focused on dialogue and review of its texts, theorizing and application, examination, detection and exposure of cognitive premises, methodological tools, and deliberative conditions for this Almitanqdip process.

This research paper seeks to clarify some theoretical and procedural aspects of the criticism discourse in the contemporary Algerian monetary code, by answering a central problem that can be formulated as follows:

What are the Algerian critics’ vision and interests in this field of knowledge? Were they able to provide methodological mechanisms, describing and explaining contemporary critical writings?