The aesthetics of counterpoint in the Diwan of Al-Jawalat from the poetry of Malik bin Al-Marhal Al-Andalusi . Counterpoint in the Diwan of Al

Abstract

The ancient Arab poetry has the advantage of a stylistic phenomenon that has the potential to influence the same recipient, arising from the psychological necessity of a poet, as well as an artistic aesthetic that the reader touches in the literary text, which is the structure of the contradiction, which means dishes, contradictions, contradictions and other labels made by the authors in their modern and even old monetary definitions.

The dish represents the degree of excellence and innovation, as it increases speech and decorations, and due to its value in strengthening meanings and words our study is tagged with: the aesthetics of the dishes in the mobile office of the poetry of the deported Andalusian owner bin, through which we seek to track the aesthetic of this moral enhancer, and its good employment in the poetry of the diwan.

At the outset we referred to the concept of dishes and types, going through its importance and its role in reflecting ideas, and then to the investigation of his condition in the poet's office.

According to Advanced, our study relied on the analytical descriptive curriculum, going beyond monitoring the limits of the phenomenon to extracting its semantic and aesthetic functions, according to the exposure to some models of the Diwan in which this unique characteristic manifested itself in both form and substance